That Floating Excrement Was Far Too Meaningful! These Are the Television Disappointments of the Past Year.

As we consider the television offerings of the past year, a selection of series stand out not for their excellence, but for their notable shortcomings. From awkward sequels to bafflingly poor docuseries, here are the programmes that left us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final season started, it looked like it had finally hit its stride. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the creator announced this would be the final series. It ended on a bum note; the lingering shot of Miranda’s loo flooded with poo was just way too symbolic. Yet, viewers certainly found joy picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this show's problems. The subject of a very rare zero star review, it was difficult to know where to begin listing the flaws. The laughably leaden dialogue? The tedious glorification of affluence and consumption? The seemingly deliberate parade of tropes? Performances so poor they felt borderline spiteful? Let’s just say “each and every one” and never speak of this series again. However, a second season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this multi-part docuseries which smirked its way at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any pity this series might induce should be reserved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

MobLand

Dodgy characters meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to indulge baffling dialects. But there were many other issues. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney rogues which felt a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of the nation’s performatively enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into twee homemaking as intentional provocations. But then you view them and are forced to concede that actually, they might have a point. It’s like watching a homeware magazine come to life; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-worth. But for some reason, this three-part series opted not to say them. Instead, the experience was akin to consuming a marketing catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.

The Game Show

It had the potential to be the next big hit – except even camper, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How does one follow a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart recruitment of talented emerging comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely breezy, slightly stylised farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a breakthrough that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and eliminating – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual exploits as she undertook her most extreme feat yet. What on earth would possess her? What we craved was way more examination of her true psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Heather Gutierrez
Heather Gutierrez

A passionate urban runner and writer sharing city running adventures and tips from Amsterdam.